评论 – M-P
Madame Butterfly
National Ballet of Canada
“As Cio-Cio San, the tragic Geisha at the heart of the story, Chan Hon Goh seems born to this role, filling it with innocence, grace and yearning.”
“As Cio-Cio-San--- the Madame Butterfly of title--- Chan Hon Goh can add another triumph to her already impressive resume with the company, partnered here by Van Der Wyst in a graceful and convincing turn as the story’s ugly American B.F.Pinkerton.”
“Goh was luminous as she invested the tragic heroine with a dignity that rose above the dance itself…”
“Outstanding in Madame Butterfly was Chan Hon Goh who stole the show with her performance as Cio-Cio-San.”
Mozartiana
The Suzanne Farrell Ballet
“Chan Hon Goh, a ballerina on loan from the National Ballet of Canada, is as different a dancer from Farrell as can be imagined – light, delicate, a born Giselle, with none of Farrell’s wild, off-center power. Yet she’s always found a way to make roles created on Farrell her own. There’s a shy, visible joy in her dancing, which was appropriate here (after a thoughtful Preghiera) and the third and fourth solos of the Theme et Variations, especially, were beautifully danced.”
Onegin
National Ballet of Canada
‘Goh, dancing with William Marrie, was a Tatiana who wore her heart on her sleeve. Her emotional intensity in the final bedroom scene bordered on hysteria, but this frenzy only electrified her already energetic dancing.”